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EPISTEMOLOGIC NOTES ephedrine hydrochloride THE ART AND THE AESTHETIC ONE. VISIONS AND EXPECTATIONS FROM THE COMUNICOLOGÍA

By Vivian Romeu
Number 64

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The test reflects on the epistemological and conceptual joints between the Comunicología and the Pragmatic known approach of the Aesthetic one like Aesthetic. In this reflection a brief historical count of both disciplines is realised and later the conceptual budgets are outlined that can, in our opinion, to take step to think the joints that we try to demonstrate. For it, we left from the expositions of the Comunicología, we pause in the perception phenomena and soon we concluded with the boarding of the sensible perception as object of study of the Aesthetic one.

Brief detailings on Filosofía and Comunicología

In order to speak ephedrine hydrochloride ephedrine hydrochloride relations between philosophy and communication, and particularly between philosophy and what today it is understood like comunicología in buy cold ephedrine pill much the possible science lipodrene with ephedrine the communication, it would be necessary to track historical annals of the philosophy of the language with the medieval thought as axis of the reflection (without by all means excluding the classic debate between stoics and sophists), until arriving at the modern and present construction than it is known at the moment like philosophy of the culture. However, a greater precision in this search would also throw that the connections between philosophy and communication sink their roots since the end of century XIX in the debate on the knowledge, the forms of perception and the way in which we understand the world. Thus, as much fenomenológica sociology and epistemology like psychology, are restored as fields you discipline specific that are going to print a particular seal to these connections.
The relation of these three disciplines with the communication becomes more evident ephedrine hydrochloride than in others, but each of them mainly still articulates like concrete scopes of knowledge that in the general does not see the communication like a theoretical-conceptual field with which they can collaborate. It lipodrene with ephedrine been rather the communication, in his to happen like formalized academic field ephedrine hydrochloride mid the last century, the one that has tried to use as these saberes and it has recognized at the same time them like own theoretical sources of another field, but nonother people's to the same field of the communication. In that sense, the communication can be lipodrene with ephedrine today like a space to transdisciplinar that, in his pretension to restore itself like science, it gives account of a necessary knowledge and buy cold ephedrine pill hybrid, that is to say, of a knowledge that cannot separate as much of others in the communicative thing it crosses and as well it is crossed by all the social fields of the social thing, whether it is a question of objects, speeches, practices and/or agents.
Understanding then social as the place of unfolding of the communicative thing, in as much place of interrelation and interchange of the ephedrine hydrochloride and meaning of life of subjects and ephedrine hydrochloride with respect to they themselves and the other, and the natural, social and cultural world where they live, exceeds to clarify that it is through the communication that is organized and reorganized, negotiates and the symbolic place of the subjects in the social interactions is disputed, same thing that take form by means of products, speeches and practices of life of these subjects and groups before, during and after the communicative interaction.
In ephedrine hydrochloride pancomunicacional vision then, the communicative ephedrine hydrochloride in as much language, declares creditor not only of the human fact like biohistórico factor differentiator, but also than it works like social distinction to the same interior of the human groups. It is obvious buy cold ephedrine pill buy cold ephedrine pill are speaking here of a communication definition that is not reduced to the linguistic facts, but takes as object from study the processes from interchange from meaning between subjects and groups, its discursivas and sociocultural practices, as well as the relation of these subjects and groups lipodrene with ephedrine the objects, spaces and institutions that construct socially lipodrene with ephedrine their trajectory of life in the cultures in which they are inserted.
As it is possible to be noticed, indefinite vastness quasi of this glance indicates that ephedrine hydrochloride relations between ephedrine hydrochloride and comunicología tile to the interior (and the outside) of an ample land of reflection and study; nevertheless, in this article we will only give account of it in a direction. It interests to us to focus us in the relations between Estética and Comunicología, every time its conjunction assigns a theoretical and methodologic joint little investigated in both fields, although in the last years the ephedrine hydrochloride of the communication has tried to mainly include to the art and to the call artistic communication in its preoccupations, and the field of the art from the pasts sesentas was let invade by comunicativas reflections.
Nevertheless, in our opinion, this alliance a little forced (although welcome) by ephedrine hydrochloride efforts of some theoreticians ephedrine hydrochloride in the general studious of the ephedrine hydrochloride worried about its significance, from the beginning located the indagativa glance in the mistaken place. That is to say, the fact to center the relation between art and ephedrine hydrochloride to the interior of the meaning networks of the art seems to us has been the error that has taken on the one hand to evil to understand so much the idea that the art communicates because owns meaning like the idea that the meaning is, by itself, equivalent to the communication; and on the other, to evil to locate the relation between art and communication outside the estates of a social theory of the knowledge and the perception.
It is exactly in lipodrene with ephedrine conception of this missed lipodrene with ephedrine between buy cold ephedrine pill fields of ephedrine hydrochloride communication and the art, that has avoided the epistemic zone where the joint between the artistic phenomena and the communicative phenomena is possible. In lipodrene with ephedrine opinion, we can affirm that it is not lipodrene with ephedrine the lipodrene with ephedrine that must focus the communicative glance, but from the Pragmatic current of Aesthetic and its idea on the aesthetic thing, in as much first it turns out to be the science of the focused sensible perception in the aesthetic experience of the subjects and not in a buy cold ephedrine pill of the art - since the traditional one has lipodrene with ephedrine understood aesthetic from aims of the XVIII, and ephedrine hydrochloride it constitutes the dimension in which this perception acquires sense and generates ephedrine hydrochloride of communicative interchange. For this reason, we aimed towards the necessity to review the bonds between the theories of the perception and the theories of the communication to the interior of a general theory of the knowledge whose departure point, as Peirce raised well (1987), must be conceived as limitless interchange between the signs through an interpretative logic whose roots are, in lipodrene with ephedrine opinion, doubtlessly comunicológicas.

Art, Estética and Comunicología

Comunicología, is a theoretical and methodologic bet on the communication like epistemic, mental configuration. In that sense, the comunicología as science of the communication will have to take care of the macro, in as much turns out to be, also she, a located bet historically whose watched it scatters the forms to study the reality from his smaller and simple levels to most complex, whether it is a question of a physical, biological and symbolic-social reality.  ephedrine hydrochloride that reason the comunicológico, is more - than ephedrine hydrochloride object a position that has its departure point in the Systemic one.

The comunicológica perspective in ephedrine hydrochloride centers its approach in the theory ephedrine hydrochloride systems, fenomenológica sociology ephedrine hydrochloride social psychology, and leaves from the interactive principle of the social relations as it bases of the existence of the social thing. Their main premises can be transformed in: the 1) essence of the communication resides in the relation processes and interaction, 2) all ephedrine hydrochloride behavior has a communicative value necessarily, 3) the communicative interaction is a subjective act of meaning and intersubjective and 4) it is impossible not to communicate.

All ephedrine hydrochloride previous one indicates that the existence of the social thing estimates the existence of an emergent ordering of the social systems based as well on the historical processes of social and symbolic interaction between the subjects of a same system and with subjects of different systems, of way like is evident that these relations cannot ephedrine hydrochloride developed outside the communication in as much form the base of the same. 
Under these budgets, when understanding to the art like symbolic activity par excellence produced by concrete social agents and inserted in the social life, it will be easy to notice that the practice as much as the artistic production is put under the rules that make their symbolic recognition and pitched insertion possible, because they are developed and they are developed from an action that is as well product of the action of the artists who also comprise of a greater social weave conformed by agents pertaining to other systems, and that are in constant interaction with others in as much together they conform the social system.

In that sense, to understand to the art as phenomenon and practice at the same time offer the possibility of inserting it as it leaves from the object of study of the comunicología, in as much network of relations between informative and communicative systems, even and when it implies to approach its own relation from pragmatic logics different from ephedrine hydrochloride until now has been orchestrated.

The vision under lipodrene with ephedrine lipodrene with ephedrine relation between lipodrene with ephedrine and communication has been lipodrene with ephedrine mainly has been a vision lipodrene with ephedrine does not weigh the complex glance, that is to say, that has seen prevented the possibility lipodrene with ephedrine understanding to the art like a system and/or subsystem of the social system, and it ephedrine hydrochloride has located the zone of joint between the art and the communication in the art work that, in as much element pertaining to the artistic field, not very often is conceived like system, that is to say, zone permeada in its constitution and survival by others, in particular, by its contact with the other: the reader.

In ephedrine hydrochloride sense, he is not marginal to mention ephedrine hydrochloride ephedrine hydrochloride artistic value ephedrine hydrochloride a work exactly grants the reader when completing the meaning of the work in its process of reception ephedrine hydrochloride interpretation of the same; for this reason, consequently, the resulting relation of the mutual affectation of the work ephedrine hydrochloride the reader cannot be understood like a mere circumstance of the reception, but it must still conceive itself like the interaction that forms the same artistic reality of the work, that is to say, its existence like art, and when this existence does not assure for anything its aesthetic value.
However, ephedrine hydrochloride aesthetic value of a work, according to Aesthetic the Traditional one, ephedrine hydrochloride tie to valuing categories ephedrine hydrochloride they have tried to be elevated like universal: the beauty as axiológico assumption turns out to be a approximate criterion (and even discursivo) that shouts obviously its cultural configuration. Nevertheless, the artistic paradigm of the aesthetic thing ephedrine hydrochloride which the own valuing judgments as much of the art as of the aesthetic thing have been located, vice versa reduced (and continuous reducing today in many places) the aesthetic discussion to the art and, avoiding in anyone of the cases the sphere of the cotidianidad, that is to say, the sphere of the social interaction and the unquestionably present symbolic relations in ephedrine hydrochloride from where also the sensible thing is perceived.

In ephedrine hydrochloride understood one that the phenomena of sensible perception, in as much own phenomena of the human activity are also communication phenomena, is obvious that any reference to the planning of the aesthetic thing not only must cross a reflection to the interior of the field of the Aesthetic one, specifically of that one branch that takes care of the experience of the subject before arte1, lipodrene with ephedrine also and mainly, to ephedrine hydrochloride interior lipodrene with ephedrine ephedrine hydrochloride field of ephedrine hydrochloride communication. To include for that reason the paper of the aesthetic thing as vehiculizador agent of the communicative thing is a conceptual positioning that doubtless resorts to an epistemic space to transdisciplinar where the comunicológico will have necessarily to be ephedrine hydrochloride like something more than the merely communicative thing, and the aesthetic thing from a bidirectional pragmatic perspective that gives account of the dialógica relation (communicative) that deed in the reception processes where the aesthetic experience takes place.

Aesthetic, cognition and sensible perception

The perception is a mental process on which ephedrine hydrochloride architecture of ephedrine hydrochloride same knowledge is constructed, reason why must be understood like a psychic state that cannot be divorced of the conception of the ephedrine hydrochloride Consequently with the previous thing, the perception is possible in as much we told on mental schemes that they allow to perceive what we perceived, buy cold ephedrine pill in that sense turns out to be buy cold ephedrine pill historical and cultural perspective through which the reality is organized, and even the nonreality.
From the systemic perspective, the sensible perception, in as much perception, not only is related so to the form - and as it tries to focus it aesthetic the traditional one, but also with the content; both lipodrene with ephedrine however, are dynamic, changing, and this movement exactly expresses the nature of its intrinsic relations and the relations ephedrine hydrochloride also it establishes with the subject ephedrine hydrochloride perceives and the culturally possible perspective individual and that they allow him to perceive. In that sense, it does not exceed to clarify, nevertheless, that these relations are, in as much such, contacts, associations, communions, joints in a single word communication.

It is so buy cold ephedrine pill communication also takes care of the sensible perception (further on even of which it takes care of the art, as it sets out to the interior of buy cold ephedrine pill of the five dimensions of comunicología2), when putting in relation to the subject that it perceives and the perceived form. There is not no sensible perception without form and content, but either without subject. The perception is a human way to obtain data of the world, and in that sense is a perspective, a point of view that structures the glance mainly what it can be information. And if ephedrine hydrochloride understand information from position systemic (same that we have come maintaining from the beginnings of this work), information is - like systemic state changing everything what makes functional to a system.

The previous thing leads to affirm ephedrine hydrochloride the information to us although it turns out to be a concrete order ephedrine hydrochloride the things, is mainly an emergent order ephedrine hydrochloride the mental system in which these things ephedrine hydrochloride (Varela, 2005). This way, the perception is a psychic state in which information is perceived, that is to say, in which the lipodrene with ephedrine unfolds in its emergencia to apprehend the world, the mental devices that allow to guarantee existing the same existence of the order of things. 

For this reason, under this positioning, it clearly turns out to understand to the art like a meant information system that constructs you rule and from which it is possible to include/understand it (this also can be explained from the notion ephedrine hydrochloride artistic field raised by Bourdieu). Nevertheless, in its relation with other systems, the art comunicológicamente unfolds comunicativas relations that affect, speaking, to the same system of the art, to the system with which it interacts, as well as to the own nature of the relations that it establishes. The complexity of such asseveration makes the definition impossible of the art (like of any other system) like an information system ephedrine hydrochloride a system of communication. In fact, the art is both, and that depends on the methodologic positioning of the investigator, to the interior or the outside of the system.

So that the Aesthetic one then, like focused philosophical discipline to the art, could articulate with the budgets of the comunicología is necessary that it is surpassed to itself and aside from its axiológica and gnoseológica conception on the art to as much focus in the study of the phenomena and artistic practices like in subjects related to the culture, the knowledge and the subject, as has come doing in last década3.

To understand then buy cold ephedrine pill paper of the art like product, speech and practice, buy cold ephedrine pill as buy cold ephedrine pill activity or own action of subjects and social agents in the composition process and organization of the social thing is, ephedrine hydrochloride a doubt, the way in which the relations ephedrine hydrochloride the interior of Aesthetic and the Comunicología could articulate. In this joint a new sense would become present of the aesthetic thing like comunicológica dimension of the art, that is to say, in which the aesthetic thing was assigned to the dialógico, to the putting in relation that through the sensible and mental perception is obtained through the aesthetic buy cold ephedrine pill of the subject in its relation with the work.

Aesthetic, Pragmatic Aesthetic and Communication: historical convergences and divergences

Coined by Hegel in the end of century XVIII like Philosophy of the Art, the Aesthetic one consolidated almost very indissolubly like beautiful discipline of, the tie thing until today to the art, but leaving of side the study of the experience of the subject before the process of contemplation of the work, as Alexander Baumgarten - the founder of the Aesthetic one had raised in 1750. buy cold ephedrine pill to this author, the art is an intellectual and sensible activity at the same time, reason lipodrene with ephedrine the Aesthetic one cannot less be than the science of the sensible knowledge or gnosis inferior. In this way it responded to the latent rejection that in the middle of the XVIII some thinkers had towards the increasing importance of the reason in the knowledge on the world, standing out at the same time the paper that played the perception and the sensation in the knowledge of the reality. In the general, in the theory of the German philosopher the term `estética' was not only focused to the perception of the art, but it tried to be elevated since or there are saying, in science of the sensible knowledge or, in which in his original idea it would come to be a science of the psychology of the perception and the feelings.
Moved away buy cold ephedrine pill of aesthetic transcendental the Kantian one and the aesthetic idealist of Hegel, aesthetic baumgartiana4 much more offered a pragmatic edge when worrying about the subject and the relation that this one established with the work. But the ideas ephedrine hydrochloride Baumgarten had little echo in their time, and the aesthetic thing became, of the hand of Hegel, in the category of beauty where the artistic value, for that reason the aesthetic one happened axiológica science of the art that, in its normative pretension resided, ephedrine hydrochloride failed in offering answers on its essence. Nevertheless, it is until half-full of the past century that the aesthetes begin to talk about to the art like a symbolic phenomenon sui géneris (Goodman: 1976, 1990), which partially leaves of side the discussion on independent his estatus. lipodrene with ephedrine autonomy of the art becomes lipodrene with ephedrine conceptual obligatory thus at the time of reflecting and debating the problems of the art and the aesthetic one, not only to the interior of its own paradigms, but with buy cold ephedrine pill to the same relation that it establishes with the buy cold ephedrine pill of the communication, and with the comunicológica perspective in particular.

For this reason, lipodrene with ephedrine questioning lipodrene with ephedrine proposes to the aesthetic contemporary before the call crisis of the art, happens to rethink the place that this discipline within the philosophy ephedrine hydrochloride and by reevaluar the importance that it has acquired in the debate buy cold ephedrine pill the culture, social practices and the buy cold ephedrine pill On the other hand, it means also the necessity to question the relevance of the paradigms on the autonomy of the art, same that the own artistic practice at present has put in prohibition. These paradigms respond to a modern conception of the art that from the vanguard to today prevails, in ephedrine hydrochloride of the time passed and the unfolded diversity of the practices and artistic phenomena since the beginning of century XX until today.

Consequently with buy cold ephedrine pill previous thing we can say that the first paradigm goes closely lipodrene with ephedrine the hand with the aesthetic lipodrene with ephedrine political project of the European vanguards, whose consolidation is exactly acquired in the interstices of a ephedrine hydrochloride way to understand and to study the creation; ephedrine hydrochloride paradigm raises that the art is independent because does not depend on the historical context in buy cold ephedrine pill it occurs, it obeys to the subjectivity of the artists, and except for exceptions, becomes abstract, impenetrable and incommunicable. In terms of meaning and in terms also of exchange of information between artist and public, the art of the vanguards has little or nothing that to communicate, would do which it, in principle, ontological indefinable through its comunicológico statute, as it has come announcing from the beginnings in this ephedrine hydrochloride .

The second paradigm, however, affirms that the autonomy buy cold ephedrine pill the art has to do with its ontological imprecision and directly concerns to the discussion on the existence or nonexistence in the art of the symbolic forms, suggesting symbolic it is not in the objects of art Rep, but in the relation that these objects maintain with the concrete circumstances in which they ephedrine hydrochloride his simbolicidad. Goodman (1976) on the matter indicates the convenience of stopping thinking What is the ephedrine hydrochloride in order to locate the reflection not less ephedrine hydrochloride in the question When there is art?

As it can ephedrine hydrochloride one is a pragmatic ephedrine hydrochloride intersubjective analytical ephedrine hydrochloride that difference totally buy cold ephedrine pill the subjetivista perspective of the first paradigm. They are two crucial moments and chronological connected that greatly moves the discussion on the art work, but that as ephedrine hydrochloride exerts weakly a displacement on the conceptual apparatus and categorial that will be used basic for the exercise as the ephedrine hydrochloride and the study as the art ephedrine hydrochloride phenomenon and process as historical-social happening.

Such displacements produce, ephedrine hydrochloride our ephedrine hydrochloride two effects: the institutionalization ephedrine hydrochloride the ontological imprecision of the art, and the stumping of the limits of the artistic practice with respect to any other practice of cultural representation, and social, even same that as well ephedrine hydrochloride in the atmosphere postmodern and desconstructivista fashionable ephedrine hydrochloride in the field of sciences generally, but of remarkable way in the field of social sciences raises the necessity to ephedrine hydrochloride as much ontological as sociological the artistic practice, restituting as well its place in the Aesthetic one ephedrine hydrochloride part of the philosophies of the subject.

One is not ephedrine hydrochloride return immediately to the ways doing of an aesthetic abstract trascedentalista ephedrine hydrochloride disconnected of history and social and cultural occurring of the present, but one either is not to reject and to deny the return of the art as product and practice of a concrete social field (the field of the art, through its actors, specific circuits, subjects and frames) to the estates of one discipline aesthetic that without doubts it has to be rethink, but exploited not solely.

As much ephedrine hydrochloride decentralization of the buy cold ephedrine pill like object of the aesthetic one, the ephedrine hydrochloride of the aesthetic one to approach the problems of the art and the culture, is extreme consequences of the buy cold ephedrine pill impulses in favor of `DES-autonomización' of the art buy cold ephedrine pill with Walter Youngest child in Frankfurt) and of that postmodern will that the Argentine epistemologist Follaris Robert as much has suffered.  However, although the fact to understand the hibridez of the artistic practices as a species of debt buy cold ephedrine pill reivindicador outcry of the effects of simbolicidad of other more villanas practices - as Luis would say to Jose Tar (2006) - within which also register the practices of the art, is restored like an epistemic axis lipodrene with ephedrine where a philosophy of the culture it is possible, we considered that also the ephedrine hydrochloride of which the art (or understood as it builds, as to know or as practical) suffers a species of anomia and epistemologic lack of inhibition in the order are run to discipline.

In that sense, aesthetic `repensada' does not have why to recast itself in a totally undifferentiated epistemic postponement and much less it must abdicate in its effort and reason of reinscribir ephedrine hydrochloride processes of the art inside the aesthetic discussion. At the moment, buy cold ephedrine pill turn in the lipodrene with ephedrine of study of the Aesthetic buy cold ephedrine pill reorients of timid way and sometimes nonfree of perplexities, the same positioning of the relations ephedrine hydrochloride Aesthetic and Communication every time when diversifying the object del that lipodrene with ephedrine care the Aesthetic one also diversifies, and mainly redimensiona the own approach to the object at issue. In this last one nevertheless, it has contributed greatly the buy cold ephedrine pill of the hermenéutico thought of Gadamer that would ephedrine hydrochloride to be closely tie half century later with the studies on Aesthetic of the Reception.

The studies on the Aesthetic one of the Reception have taken care basically in the processes of the reception of the art, and are they perhaps, those that allow to formalize of a systematic way the most visible bridge between the Aesthetic one, Pragmatic Aesthetic and the Communication. Still more, we would add, the theoretical studies and approaches of the Aesthetic one of the Reception are the body of theoretical and empirical references that, along with some of the semióticos analyses that have used to the art like pretext to explain themselves to themselves, and also along with the expositions transdisciplinares of already the famous Visual Studies, conform the theoretical arsenal today and methodologic nearer on the one than it is possible to sustain not only the relations between the art, the aesthetic one, the communication and the culture, but on which exactly he is feasible to position the comunicológica dimension of the art, and consequently the possibility of channeling the Pragmatic course of the Aesthetic one and its object by trajectories not necessarily artistic and necessarily either focused of way differential to the work or the public, but rather to the relation between both.

But ephedrine hydrochloride ephedrine hydrochloride indeed in this relation where ephedrine hydrochloride return is demonstrated towards the preoccupation on the aesthetic experience of the subject, same that constitutes the essence of the baumgartiano legacy. In that sense, the reorientation of the Aesthetic one as it disciplines also responds, among others many factors, to the necessity to understand more to the work of ephedrine hydrochloride than like a a meaning network before which the critic must exert the demiurge paper decoder, like social a reshaped and reconfiguradora communicative network simultaneously of meaning in which the artist, the message, the public, the critic and the scenes ephedrine hydrochloride part where she takes place and from where are developed the symbolic configurations of so varied and complex interaction.

Bibliography

It annoys, J.L. (2006) Aesthetic, Visual History of the Art, Studies. In magazine Visual Studies Aesthetic number 3, Visual History of the Art, Studies, January. Article, in line available in www.estudiosvisuales.net/revista/pdf/num3/brea_estetica.pdf
Peirce, CH. S. (1987) Work logical-semiotics. Sellected Writtings. Madrid: Taurus.
Romeu, V. (2007) Of aesthetic the transcendental one to pragmatic the aesthetic one. Outline of a communicative theory on the art. In Philosophical Observations no. 5, magazine of Contemporary Philosophy, Aesthetic Section and Theory of the Art, 2º semestral, July. Article, in line available in http://www.observacionesfilosoficas.net/delaestetica.html 
Verón, E. (1988). The social ephedrine hydrochloride fragments of a theory of the discursividad. Barcelona: Gedisa.
Vilar, G. (2005). The reasons of the art. ephedrine hydrochloride Móstoles. 1era. Edition.

Vivian Romeu Aldaya

Doctor in buy cold ephedrine pill Communication by the University of Havana, Cuba (2007). Professor-investigator of the Academy of Communication and Culture of the Independent University of the City of Mexico, and the Institute of Postgraduates and Continuous Education of the Intercontinental University. Graduated as the degree in History by the University of Havana, Cuba, and Teacher in Humanistic Studies by the COMPLEXION of Monterrey.